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Posters for Migrants

For the hol­i­days and into 2019, we are donat­ing half of our poster sales to sup­port Cen­tral Amer­i­can migrants seek­ing asy­lum in the Unit­ed States — AKA the “Migrant Car­a­van.”

Books

Grafica Della Strada, The Signs Of Italy

It starts with a 16 year old Louise Fili trav­el­ing to Italy, step­ping off the plane, and falling in love with a bill­board. That moment marked the start of Fili’s typo­graph­ic obses­sion, and bud­ding career in graph­ic design. (more…)

Books

Book Life

It is amaz­ing just how much text exists on the inter­net. More amaz­ing still is the sheer amount of text that is unavail­able.

Books

John Fuller’s Sycamore Press

Ryan Roberts, pur­vey­or of the offi­cial web­sites for Julian Barnes, Ian McE­wan, James Fen­ton, Hermione Lee, and Ian Hamil­ton, has authored “John Fuller and the Sycamore Press: a bib­li­o­graph­ic his­to­ry.”

Typographic Train Wrecks

You’re in a store search­ing for that per­fect pic­ture frame. You pick one up that looks good—a sim­ple wood frame with just enough detail to com­ple­ment your pho­to.

TDR at The TDC in NYC

I’ll be sign­ing copies of The Typo­graph­ic Desk Ref­er­ence at the inau­gur­al Type Direc­tors Club Book Fair May 29th – 30th…

Type Geek Space Craft

I’ll be speak­ing about set­ting type and some fin­er points of pro­por­tion and space next Thurs­day April 29th at the Atlanta Web Design Group meet­ing…

Cartography

Mississippi Meanders

Beau­ti­ful exam­ples of car­to­graph­ic infor­ma­tion design are on dis­play at Rad­i­cal Car­tog­ra­phy. Like the sam­ple above, my favorite are the maps designed by Harold Fisk in 1944 for the Army Corps of Engi­neers, show­ing the his­tor­i­cal traces of the Mis­sis­sip­pi Riv­er. Link via Apart­ment Ther­a­py

How to Host an Event

The Typo­graph­ic Desk Ref­er­ence release par­ty was a suc­cess. Thanks to every­one who was able to make it and to those who sent emails, texts, tweets, and voice­mails in lieu…

TDR Book Release Party

Join us to cel­e­brate the release of The Typo­graph­ic Desk Ref­er­ence, Fri­day March 20th, 5:30 – 9:00 pm at Atlanta’s (con­text)…

Helvetica, The Movie

Hel­veti­ca is a fea­ture-length inde­pen­dent film about typog­ra­phy, graph­ic design and glob­al visu­al cul­ture. The film was shot in high-def­i­n­i­tion on loca­tion in the Unit­ed States, Eng­land, the Nether­lands, Ger­many, Switzer­land, France and Bel­gium. It is cur­rent­ly in post-pro­duc­tion and is slat­ed to begin screen­ing at film fes­ti­vals world­wide...

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The Double-Space Debate

So, what’s your opin­ion? A, B, or C? [A]   Two spaces after a peri­od is the prop­er way to set type. [B]   With the white space above the point, one space after a peri­od is all that’s need­ed. [C]   The phys­i­cal space after a peri­od should be thin­ner to...

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Typophile Beta

The new Typophile web­site con­tains a “typowi­ki”. The Typophile Wiki is a “user-cre­at­ed ency­clo­pe­dia of all things type-relat­ed. Users cre­ate and edit Wiki entries with the aim of becom­ing a col­lab­o­ra­tive, use­ful and rel­e­vant resource.”

Typography

Read Regular

Designed to assist dyslex­ic read­ers, Read Reg­u­lar is a type­face designed by Dutch design­er Natascha Fren­sch. Let­ter­forms like b and d are typ­i­cal­ly drawn as the same char­ac­ter and then just swapped. Read Reg­u­lar dif­fer­en­ti­ates these forms by mak­ing each unique.

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