It is amaz­ing just how much text exists on the inter­net. More amaz­ing still is the sheer amount of text that is unavail­able. My typo­graph­ic stud­ies often have me turn­ing to the stacks because the inter­net and e‑books are still odd­ly short on the sub­ject.

Die schönsten Schweizer Bücher (Beautiful Swiss Books)

I’ve met peo­ple that will not pick up a book for their unwa­ver­ing alle­giance to the screen. It’s hard to under­stand why some­one would trade access to infor­ma­tion for faster access to less infor­ma­tion. The same sort of thing hap­pened when com­put­ers replaced library card cat­a­logs. The first sys­tems were flawed. It was less like­ly that peo­ple would find books with titles that start­ed with a let­ter that was halfway through the alpha­bet. Books toward the end of the alpha­bet went through a dark peri­od. Are the print only books of today going through a dark peri­od?

This post is in praise of the print­ed book. So in hon­or of information—and let’s face it, a supe­ri­or read­ing experience—here’s to those books.

The fol­low­ing images are from a fan­tas­tic book col­lec­tion titled “A Good Book” by Bernd Kuchen­beis­er. Quite a few of his col­lect­ed books are on type and design. Most are just lov­ably book­ish.

Typografins Väg, Volumes 1 and 2 by Marcus Gärde

Typografins Väg, Vol­umes 1 and 2 by Mar­cus Gärde

Art and Unemployment, both by Eric Gill

Art and Unem­ploy­ment, both by Eric Gill

On Reading by Andre Kertesz

On Read­ing by Andre Kertesz

Leaflet promoting Friedrich Forssman’s typesetting Zettel’s Traum

Leaflet pro­mot­ing Friedrich Forssman’s type­set­ting Zettel’s Traum

Monographien und Materialien zur Buchkunst, Band 2 by Verlag Wolfgang Tiessen

Mono­gra­phien und Mate­ri­alien zur Buchkun­st, Band 2 by Ver­lag Wolf­gang Tiessen

Méthodes by Atelier D'architecture Pierre Hebbelinck

Méth­odes by Ate­lier D’ar­chi­tec­ture Pierre Hebbe­linck

Printing Explained by Herbert Simon and Harry Carter

Print­ing Explained by Her­bert Simon and Har­ry Carter

Fournier’s Manuel Typographique, translation by Harry Carter, introduction by James Mosley

Fournier’s Manuel Typographique, trans­la­tion by Har­ry Carter, intro­duc­tion by James Mosley

From the about page:

“I love books. Yet I’ve nev­er bought one just to own it. What fas­ci­nates me is their util­i­ty val­ue: books can teach us things. It’s not only the writer that speaks to us. If we lis­ten more close­ly, we can hear the voice of the design­er or eaves­drop on the con­cert of mate­ri­als. Books appeal not only to our eyes and ears: some we fall in love with the moment we take them in our hands. Many books also com­mu­ni­cate non-ver­bal­ly – they can flirt and seduce.”

Link: A Good Book
Edit­ed by Bernd Kuchen­beis­er (Twit­ter)

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