Mon­o­cle’s Alpino news­pa­per may be called an exper­i­ment, but it’s a suc­cess­ful exten­sion to the Mon­o­cle brand—a great vari­a­tion on a theme. Mon­o­cle Alpino is the sec­ond run—the first was Mon­o­cle Mediter­ra­neo—in a series of region spe­cif­ic news­pa­pers from the pub­lish­ers of Mon­o­cle Mag­a­zine. Mon­o­cle’s edi­tor-in-chief Tyler Brûlé calls their news­pa­per an “anti-iPad device.” Jokes of screen glare aside, it’s hard to ignore the supe­ri­or­i­ty of read­ing print. Here are some high­lights of Mon­o­cle’s bi-year­ly news­pa­per.

It’s sub­stan­tial. The for­mat is 460 × 590 mil­lime­ters (18 × 23 inch­es) for the spread (Gold­en Rec­tan­gle-ish for the page), print­ed on thick newsprint, and sad­dle stitched.

The print is very crisp. It’s print­ed with a high line screen, which is very “anti-iPad.”

Great type. Like their mag­a­zine, the text is set in Plan­tin—one of the most ele­gant type­faces to use for newsprint. Num­bers in some of the titles use Hoe­fler & Frere-Jones’ Strasse.

Every ad gets its own space—a page or an entire spread—which is nice com­pared with the typ­i­cal­ly news­pa­per for­mat of scat­ter­ing small ads about the spread.

The best pho­tog­ra­phy and illus­tra­tion around. Richard Spencer Pow­ell knows how to pick them.

And of course, the con­tent is good too. Always inspir­ing.

Mon­o­cle Alpino and Mediter­ra­neo are avail­able through the Mon­o­cle web­site for £8.00 an issue.