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Tag: Typography

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The Last Punchcutter

“If each com­pa­ny derives from an alche­my between peo­ple and tech­niques, the foundry of char­ac­ters, whose heart is the engrav­ing depart­ment, is an extra­or­di­nary exam­ple of skills and unequalled aes­thet­ic sen­si­tiv­i­ty…”

Fonts of the Homeless

Type­faces based on the hand­writ­ing of home­less peo­ple in Barcelona. All pro­ceeds go to the Arrels Foun­da­tion, an orga­ni­za­tion for the ben­e­fit of Barcelona’s home­less.

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Brazilian Movie Posters

Poster for God and the Dev­il in the Land of the Sun, 1964 I tru­ly love movies and movie posters. Cur­rent­ly Brazil­ian film is expe­ri­enc­ing a kind of renais­sance, but it was not always this way. In this post I’d like to share a series of posters for Brazil­ian cin­e­ma,...

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My New Favorite Maps

These typo­graph­ic maps are the real deal. Although typo­graph­ic maps are not a new idea, few are cre­at­ed man­u­al­ly. Even few­er pos­sess the degree of qual­i­ty seen here.

Typographic Train Wrecks

You’re in a store search­ing for that per­fect pic­ture frame. You pick one up that looks good—a sim­ple wood frame with just enough detail to com­ple­ment your pho­to.

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Reverting to Type

“It is New North Press’ great plea­sure to invite you to our very own typo­graph­ic extrav­a­gan­za! Curat­ed by Gra­ham Bignell & Richard Ardagh, Revert­ing to Type will show­case the work of twen­ty con­tem­po­rary let­ter­press prac­ti­tion­ers from around the world, con­tri­bu­tions from three lead­ing art col­leges and the first eight...

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Beware of the Dogma

“Beware of the Dog­ma is a book­let for graph­ic design­ers wish­ing to reflect on and ques­tion notions of design as a dis­ci­pline. It explores the the­o­ret­i­cal nature of rules and obe­di­ence to them using extracts from an inter­view with a legal philoso­pher and the the­o­ries of Hart and Kemp....

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A Battle of Wills

“A response to the 2010 Inter­na­tion­al Soci­ety of Typo­graph­ic Design­ers’ ‘Imbal­ance’ brief. A Bat­tle of Wills explores ten­sions between the gov­ern­ment and British cit­i­zens. The book was award­ed a mer­it and also is short­list­ed for the British Book Design & Pro­duc­tion Awards 2010.”

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8 Faces by Elliot Jay Stocks

“Print­ed on heavy stock, with a foil-blocked cov­er, and pressed at just 2500 lim­it­ed edi­tions, each issue is a true collector’s item. 8 Faces will be more at home on your book­shelf than in your mag­a­zine rack. Who said print is dead?”

Hand Drawn Type

Most peo­ple are sur­prised to find how much type isn’t set with fonts on the com­put­er but hand drawn. This is usu­al­ly the case with most old signs and bill­boards, made when type did­n’t exist or just was­n’t eas­i­ly acces­si­ble. Typog­ra­phy Served has post­ed a few nice exam­ples of...

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WANTED: Graphic Designers + a Ruby or Python Programmer

I’m search­ing for tal­ent to fill five posi­tions: (1) a full time graph­ic design­er (web & print), (2) a con­tract or free­lance graph­ic design­er (web & print), (3) a con­tract or free­lance pack­age design­er, (4) a free agent graph­ic design­er (web & mobile), and (5) a free agent Ruby...

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Typekit Gets A Round

San Fran­cis­co, Calif. — June 24, 2009 — Small Batch Inc. announced today that they have secured a round of equi­ty fund­ing from a group of investors led by San Fran­cis­co-based True Ven­tures. Small Batch is devel­op­ing Type­kit, a ser­vice enabling design­ers to build sites with web-native typog­ra­phy.

Slide Projectors & Intuition

David Car­son might dri­ve the grid­nicks mad, but you can’t deny his abil­i­ty to pro­voke a vis­cer­al response. Car­son­’s work in the ear­ly 90s tore a hole in graph­ic design. His typog­ra­phy, piled in bro­ken heaps, man­aged to breath life into stodgy cor­po­rate com­mu­ni­ca­tions. His work may look hap­haz­ard at...

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Slide Projectors & Intuition

David Car­son might dri­ve the grid­nicks mad, but you can’t deny his abil­i­ty to pro­voke a vis­cer­al response. Car­son­’s work in the ear­ly 90s tore a hole in graph­ic design. His typog­ra­phy, piled in bro­ken heaps, man­aged to breath life into stodgy cor­po­rate com­mu­ni­ca­tions. His work may look hap­haz­ard at...

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